On Sept. 16, Djo released its second studio album “DECIDE” with 13 original songs, two years after the artist’s first album “Twenty Twenty.” The album was teased with the single “Gloom,” now second on the album’s tracklist, that seems reminiscent of the B52’s with its musicality.
While Djo is not a one-man-band for performances, there is only one man who represents the music- Joe Keery. While previously in the band Post Animal, you may be more familiar with the name from the internationally appraised Netflix original “Stranger Things.” Keery plays lovable Steve Harrington on the screen, but off-screen is a one of a kind musician.
The album’s first track “Runner” begins the listen-through with synth that is layered as the song progresses, Keery repeating, “Love and hate decide, money grows and dies, people never change, but I have to try.” This is the basis for the lyrics basically throughout, that is until there’s a buildup to a break in the song that pulls inspiration from Daft Punk.
“Fool” strays away from the buildup style of the first song and is just groovy synth, with Keery vocalizing asking someone how they prefer him to act in a relationship. It’s a short one minute and 55 seconds, but still a masterpiece.
“On and On” is a lamentation of our current digital state of affairs. Keery questions the validity of news and expresses disdain for the way we show empathy from behind phone screens saying “light a digital candle and then scroll away.” He begs for change in the world as the music gets more chaotic and desperate sounding with the lyrics. The song encompasses the relentless state of scrolling that the world is in, something that he makes seem like a necessity.
“End of Beginning” is the first song that brought about genuine emotion for me as a listener. This song is about Keery leaving Chicago at what I am assuming was 24 years old, with Keery now being 30 years old. His life changed dramatically at a rapid pace with the emergence of “Stranger Things.” The song has emotional notes that make me feel for Keery. There is a sense of desperation behind the words, but also a note of satisfaction, like he isn’t regretful but misses it all the same.
But don’t worry, the album immediately picks up with energy on the next track, “I Want Your Video,” continuing then with “Climax ” that holds more Daft Punk innuendos. “Change” is next, where Keery begs for a change in his own attitude. He points out his flaws with socialization, but accepts that he can change for the better, and has. He recognizes his ability to now let things go and roll with the punches.
“Change” transitions to “Is That All It Takes?” This is a 21-second interlude that asks over and over is that all it takes?
The album closes out with “Go For It,” “Figure You Out” and “Slither,” upper songs that are a perfect finale to a groovy, disco-feeling album.
If just the popularity and hype behind Joe Keery’s acting isn’t enough for you, check out his music!
