Presented in Slocomb Galleries, Kimberly English’s “Threshold” invites the audience into a personal exploration of loss through traditional Appalachian weaving techniques and modern artistic expression. 

At the heart of this exhibit is the powerful story of English’s process of grieving her father. The exhibit can also be seen as a posthumous collaboration between English and her father, as his style of woodworking is blended into her intricate weavings. 

Through this collaboration, English is able to express the complex idea of absence and presence as she learns to move through life without her father. 

This exhibition is not just a reflection of the artist’s personal history, but it also highlights the cultural significance of weaving within the Appalachian region. 

“Historically, Appalachia was geographically and economically isolated, so communities had to rely on hand making their clothing and quilts,” said Karlota Contreas-Koterbay, director of Slocumb Galleries. “The current resurgence in craft stems from a desire to reconnect with the handmade in a digital age.”

Photo of artwork at the “Threshold” by Kimberly English exhibit. (Elaina Gilliam/East Tennessean)

Fiber artists, particularly women and those from marginalized backgrounds, have been excluded from mainstream art history and conversations. 

English’s journey as a fiber artist is not just a personal one but also represents a broader reflection of the continued struggle for representation and recognition in the art world.

Her work embodies the experience of being a southern artist, an Appalachian and a woman: all of which are identities that have been associated with hardship and under representation. 

Through her art, English has been able to proudly embrace all of these identifying factors and continues to use her craft to assert a place in the world for herself and others in similar places like her. 

Her work continues to invite audiences to reflect on their personal identities and also encourages them to embrace the stories that have shaped who they are. 

At its core, Threshold extends this powerful message to a visual experience. This exhibit draws on English’s background as a source of strength and utilizes the traditions of the region to create something unique and deeply personal. 

Through this creation and fusion of personal background and tradition , English stands as a representative for the artists who are pushing the boundaries of their craft.

Her work stands out for its use of negative space and unconventional textures as these are techniques typically not seen in traditional weaving. 

“Kimberly is in that younger generation who are really pushing the boundaries without letting go of the foundation of weaving and fiber tradition,” says Contreas-Koterbay. “Her techniques explore surfaces in innovative ways.”

Photo of art at the “Threshold” by Kimberly English exhibit. (Elaina Gilliam/East Tennessean)

As the exhibit makes clear, the process of accepting what makes us who we are through means like art isn’t limited to just professionals. Art can be expressed through many forms and provides a way for anyone to grapple with the complexities of life. 

“At ETSU, we strive to empower our students—many of whom are first-generation college students—because education is the key to social and economic justice,” says Contreas-Koterbay. “Through education, including art, we can break oppressive systems.” 

“Threshold” will be holding its opening reception and Artist’s Talk on Thursday, Sept. 26, from 5 to 7 p.m. in Slocumb Galleries.

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